Fashion in the period 1900-1909 in the Western world continued an elegant long line in the 1890s. Tall, stiff collar characteristic period, as well as women's broad cap and full hair style "Gibson Girl". A new columnar silhouette introduced by couturiers in Paris at the end of the decade hinted at the return of an approaching corset as an irreplaceable garment.
Video 1900s in Western fashion
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With the decline in busyness, the arms began to grow larger and the silhouette of the 1830s hourglass became popular again. The fashionable silhouette of the early 20th century was a confident woman, with a full lower chest and a curved hips. This "corset health" period removes the pressure from the stomach and creates the silhouette of the S-curve.
In 1897, the silhouette became slim and elongated with a considerable amount. Blouses and full dresses in front and enlarged into the "pigeon chest" shape of the early 20th century that turns to a narrow waist, sloping from back to front and often accented with a sash or belt. The neckline is supported by a very high bone collar.
Skirts sweep the floor, often by train, even for day dresses, in the mid-decade. The fashion houses of Paris began to show a new silhouette, with thicker waists, more flat breasts, and narrower hips. At the end of the decade, the most fashionable skirt clears the floor and approaches the ankle. The entire silhouette narrowed and straightened, starting a trend that will continue until the years leading up to the Great War.
In early 1910, a survey of high school students at a private school in New York City found that each spent an average of $ 556 ($ 14,603 per 2017) per year for clothing excluding underwear, and would spend four times that amount with the unlimited. budget.
Sport and clothing mode
Women who came out of the Victorian era and into the Edward era began dressing for a more active lifestyle. The developing time brings a new fashion trend known as the "New Woman". Active life requires less tight clothes and requires simpler and slimmer clothes. The new woman is strongly encouraged by women's suffrage. Women identified with this fashion gesture are the type of women who start trying to get out of keeping the domestic circle and start pursuing higher education, office work, and participating in active outdoor sports. New and improved modes allow women to swing tennis rackets, hit golf balls, but ideas of "proper" feminine clothing reduce the progress of a more practical sport.
The customized settings are becoming more popular for women who start working in white-collar jobs. Suitable adjustments without frills are allowed for women who maintain office work to look more masculine and blend in with male-dominated environments. Soon the number of women entering college increased, and male shirts became popular among average college girls. The attire worn by a typical college girl is a skirt that is usually shorter than current fashion, and a shirt shirt, which is described as the equivalent of jeans and T-shirts today.
Unfussy, tailored clothing worn for outdoor and traveling activities. The shirtwaist, a corset or waist-designed costume like a high collar men's shirt, was adopted for informal daywear and became a working women's uniform. Wool or tweed suits called tailor-mades or (in French) tailleurs feature ankle-high skirts with matching jackets; ladies of fashion wear it with fox fur and big hat. Two new headgear styles that became popular at the turn of the century were the hijab for riding a sailor hat worn for tennis, biking and croquet matches.
The rise of haute couture
This decade marks the full flower of the Parisian haute couture as the arbiter of style and silhouette for women of all classes. Designers send fashion models or mannequins to the Longchamp race using the latest styles, and fashion photographs identify the creators of individual dresses. In 1908, a new silhouette emerged from Callot Soeurs, Vionnet at Doucet's house, and most importantly, Paul Poiret. The styles are variously called Merveilleuse , Directoire , and Empire after the turn of the nineteenth century mode, which they resemble their narrow skirts. and increase waist circumference.
These new styles feature form-fitting dresses with high or unlimited waistlines, or ankle-length skirts and long tunic-like jackets, and require a different "straight line" corset. The Paris correspondent for Vogue describes this new look as "more straight and straight... less bust, fewer hips and more waist... how slender, elegant, elegant...!"
Hairstyle and hat
Large broad-brimmed hat is worn in the mid-decade, trimmed with feathers and sometimes filled with birds (hummingbirds for those who can afford them), or decorated with artificial ribbons and flowers. A fashionable wavy hair mass, sweeping over the head (if necessary, over a horsehair bearing called "rat") and gathering into a knot. Large hats worn with evening wear.
By the end of the decade, hats have smaller, sagging edges that overshadow deep faces and crowns, and overall top-heavy effects persist.
Footwear
The long, slender, and athletic silhouette of the 1890s remained. Hair is generally worn short. The beard is less pointy than before and whiskers often curl up.
Coats, vests and trousers
The sack mantle or lounge coat continues to replace the skirt coat for most informal and semi-formal events. A three-piece suit consisting of a sack coat with a suitable waistcoat (US vest) and trousers worn, as it fits with a coat and vest with contrasting pants, or a coat and trousers that match the contrasting vest. Trousers are shorter than ever, often have turn-ups or cuffs, and front and rear wrinkles use a new pair of trousers.
Vests tied high in the chest. The usual style is single-breasted.
Blazer, light blue or light striped flannel coat cut like a sack coat with outboard pocket and brass buttons, used for sports, sailing, and other leisure activities.
The Norfolk jacket remains fashionable for shooting and outdoor pursuits. It is made of the same wool or fabric and features a paired box folds on the chest and back, with a cloth belt. Worn with matching pants or (US tights), it becomes an Norfolk suit, suitable for cycling or golf with knee-length and low-heeled stockings, or for hunting with strong boots or shoes with leather leggings.
The cutaway morning coat is still used for official everyday events in Europe and other big cities elsewhere, with striped trousers.
The most formal evening dresses remain dark-tailed coats and trousers with dark or light vests. Nightwear worn with a white butterfly tie and a shirt with a winged collar. A less formal dinner jacket or tuxedo, featuring a silk or satin shawl collar, now generally has one button. The dinner jacket is the right formal dress when "dressed for dinner" at home or in a men's club. The dinner jacket is worn with a white shirt and a dark tie.
Long knee length coat and long calf coat worn in winter.
Shirts and ties
The official shirt collar is handed over or pressed into a "wing". The collar as a whole is very high and stiff. The dress shirt has a rigid front, sometimes decorated with buttons and buttons on the back. T-shirts are popular for informal occasions.
The usual tie is four narrow hands. The ascot bond is worn with formal attire and a white butterfly bow tie with evening dress.
Accessories
Top hats remain a requirement for high-end formal attire; Homburgs or soft stiff bowlers are worn with casual clothes or sacks, and flat straw hats are worn for casual occasions.
Shoes for men are mostly above the ankles. Cap foot, lace shoes in black, gray, or brown is the most common for everyday wear. Formal events ask for formal shoes with white top (spat style) and buttons on the side. In Edwardian times the basic lace oxford shoe was introduced.
Style gallery 1901-05
- Antoni Wodzicki wore a fur coat and a Homburg, 1900.
- Illustrated topcoat fashion (left, worn with hat and morning dress) and coat (right, worn with business attire and Homburg), December 1900.
- The fashion plates of the Sartorial Arts Journal feature a three-button suite with an outboard bag (left) and a golf outfit consisting of a Norfolk jacket and pants (right), 1901.
- Staff members from the Tuskegee Institute wear coats with high front openings and contrasting trousers, many striped, c. 1902.
- Theodore Roosevelt portrait by John Singer Sargent in a formal coat jacket, 1903.
- Caricature fits in Charvet in 1903.
- Theodore Roosevelt portrait with a clearly patterned tie, light vest, and dark coat, 1904. The very short hairstyle is the hallmark of that period.
- Formal coat coat, 1904.
- Two Irishmen in San Francisco wear bowler hats, 1905.
Style Gallery 1906-09
- The man's formal attire consists of a cut-up morning coat, high-breasted vest, and fluttering trousers worn with a high-collared shirt, high hat, and gloves, 1906.
- William Randolph Hearst's photo wore a coat with a very high cover, a stiff collar, and a pin with a safety pin, 1906.
- John Singer Sargent wore a gray formal suit and a winged collar shirt, 1907.
- Wilfrid Laurier, Canadian Prime Minister and his wife, 1907
- William Howard Taft's picture with a three-piece suit, c. 1907.
- British formal attire: David Lloyd George (left) and Winston Churchill wearing a top suit and hat, 1907.
- Irish immigrants in Kansas City, Missouri, 1909. The second man from the left wore a flat hat.
Maps 1900s in Western fashion
Children mode
The female mode for this period of time imitates women older than the same period. The girls wore knee-length dresses, with decorations on hems like lace and embroidery similar to women's dresses. Usually, black shoes or buttoned up/lace boots and woolen stockings go with dresses and leather gloves or crochet. Their hair is generally worn long and curly with ribbon decoration. To play, pof and woolen shirts are accepted.
A new effort was made to design clothes that would be more suitable to be played by designing women's dresses with short sleeves. Outside, shoe buttons will be worn or boots also shoes with spats to be worn in winter-dampened shoes that create the look of wearing long shoes. Children's leather gloves will be worn to cover hands or lace gloves in the summer. The hat was replaced with a hat at the end of the Victorian era so women would wear hats when out.
The young boys find comfort in a Russian style blouse.
Fashionable outfits for boys include seaman clothes, which consists of a shirt with a sailor's shirt and trousers or trousers. For cars, boys wear a duster with trousers, flat hats, and glasses.
Workwear
See also
- Belle ÃÆ' â € ° poque
- Charvet Place VendÃÆ''me
- Edwardian Era
- History of fashion design
Note
References
- Arnold, Janet: Fashion Pattern 2: British Woman Dresses and Their Construction C.1860-1940 , Wace 1966, Macmillan 1972. Revised metrics edition, Drama Books 1977. ISBNÃ, 0 - 89676-027-8
- Ashelford, Jane: The Art of Dress: Clothing and Society 1500-1914 , Abrams, 1996. ISBNÃ, 0-8109-6317-5
- Laver, James: Brief History of Clothing and Costumes , Abrams, 1979.
- Nunn, Joan: Dress in Costume, 1200-2000, Second Edition, A & amp; C Black (Publisher) Ltd; Chicago: New Amsterdam Books, 2000. (Quoted online at The Victorian Web)
- Steele, Valerie: Paris Fashion: Cultural History , Oxford University Press, 1988, ISBNÃ, 0-19-504465-7
- Steele, Valerie: The Corset , Yale Press University, 2001
External links
- "1900s - 20th Century Fashion and Picture Illustration". Fashion, Jewelry & amp; Accessories . Museum of Victoria and Albert . Retrieved April 3 2011 .
- 1900's Men's, women's, and children's fashion plates from the Metropolitan Museum Art Museum
- 1900 era Henri Bendel Fashion Sketch Collection at Brooklyn Museum
The survival outfit
- Dress in lingerie at Kent State University
- 1900-1910 Fashions in the Staten Island Historical Society Online Database Collection
Source of the article : Wikipedia
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