In the United States, Queen Anne's popular architecture was popular from around 1880 to 1910. "Queen Anne" was one of a number of popular architectural styles that emerged during the Victorian era. In the Victorian time lineage, Queen Anne's style follows the Stick style and precedes the Roman and Shingle Richardsonian styles.
This style has little to do with the British Baroque architecture produced in the real government of Queen Anne from 1702 to 1714. It describes a variety of beautiful buildings with "non-Gothic Revival" details rather than specific formulas. style in itself. "Queen Anne", as an alternative both to the second Imperial Empire derived from France as well as the less "domestic" Beaux-Arts architecture, was extensively applied to architecture, furniture and decorative art from the period 1880 to 1910; some of the architectural elements of "Queen Anne", like the front porch cover, continued to be found in the 1920s.
Video Queen Anne style architecture in the United States
Gaya Amerika Queen Anne
The Queen Anne-style buildings in America became fashionable in the 1880s, replacing the Second Empire that originated in France as "the style of the moment". The high popularity of Queen Anne Style faded in the early 1900s, but some elements continue to be found in buildings into the 1920s, like a wrapped front porch (often L-shaped).
Typical features of Queen Anne's American style may include:
- asymmetric faÃÆ'§ade
- gable facing front, often outside the wall area below
- jutted into the roof
- round, square, or polygonal tower
- Dutch shaped and gable
- a foyer that covers part or all of the front facade, including the main entrance area
- second floor terrace or balcony
- swinging porch
- Different wall textures, such as patterned wood shingles that are shaped into various designs, include fish scales that resemble, terracotta tiles, relief panels, or wooden shingles on bricks, etc.
- dentils
- classic column
- spindle jobs
- oriel and bay window
- horizontal tape of the leaded window
- monumental chimney
- painters painted
- wooden roof or slate
- front garden with wooden fence
The "Queen Anne" style that had been formulated in England by Norman Shaw and other architects arrived in New York with new housing for New York Industrial House and School (Sidney V. Stratton, architect, 1878) at 120 West 16th Street. At the pace and on a domestic scale, the early homes of Queen Anne in America are constructed of warm, soft bricks with terracotta rectangular panels, with curved sides leading to the inner courtyard and back of the house. The details are mostly limited to the exquisite window treatments, with smaller upper belts and lower glass. Three Serlian motifs and two-parted, asymmetrically projecting origin windows are often displayed. The Astral apartment built in Brooklyn in 1885-86 for dock workers gave a similar example of the red brick and terracotta architecture of Queen Anne in New York.
E. Francis Baldwin Station for the Baltimore and Ohio Railroad is also a common example of that style, built with a variety of bricks and wood. The most famous residence in America, Queen Anne, is the William Carson Mansion of Eureka, California (see photo). Newsom and Newsom are the famous builders architects of 19th century public houses and buildings, and they designed and built (1884-86) this 18-room house for one of the first wooden barons in California.
Gratis Klasik
After 1885, the use of Eastlake style trims shifted to the "free classic" or trim of the Colonial Awakening, including the entrance of pedestans and Palladian windows.
Pondok Queen Anne
A smaller and somewhat simpler house can also be the Queen Anne. William G. Harrison House is an example, built in 1904 in rural Nashville, Georgia. Characteristics of Queen Anne's cottage style are:
- one-story frame house
- wrap-porch with changed posts, decorative brackets, and spindles
- square layout by projecting gable forward and side
- pyramidal roof or hips reflecting pyramid masses
- the rooms are not symmetrical and there is no central aisle
- chimneys located on the inside
- interior details, such as door surrounds, window surrounds, masking tape, and mantels
- was built in the 1880s and 1890s for the middle class in urban and rural areas, with popularity in rural areas that continued into the early 1900s.
Shingle style
The Shingle style in America was popularized by the rise of New England architecture schools, away from the highly decorated Eastlake style patterns. In the Shingle style, English influence is combined with a renewed interest in American Colonial architecture that follows the 1876 Centennial celebration. Architects imitate colonial homes that are plain, fluttering surfaces, as well as their masses, both on the simple roof of McKim Mead and White's Low House or in the complex of Kragsyde complex, which looks as if a colonial house has been expanded fantastically over the years -year. The impression of this time travel is enhanced by the use of shingles. Some architects, to get the look of weathered in a new building, even the cedar shake dipped in buttermilk, dried and then mounted, to leave a grayish tone to the façade.
The Shingle style also conveys a sense of home as a continuous volume. This effect - of the building as a space envelope, not a massive mass, has been enhanced by the visual tautness of the flat shingle surface, the horizontal shape of many shingle-style houses, and the emphasis on horizontal continuity, both in the exterior detail and the flow of space within the house.
McKim, Mead, White, Peabody, and Stearns are two of the leading companies of the era that helped popularize the shingle style, through their large-scale commissions for wealthy and wealthy "booths" in places like that. such as Newport, Rhode Island. However, the most famous Shingle-style house built in America is "Kragsyde" (1882), summer house commissioned by Bostonian G. Nixon Black, from Peabody and Stearns. Kragsyde is built on rocky coastal shores near Manchester-By-the-Sea, Massachusetts, and embodied every principle of shingle style.
Many of the Shingle style concepts were adopted by Gustav Stickley, and adapted to the American version of the Arts and Crafts Movement.
Maps Queen Anne style architecture in the United States
See also
- Category: Victorian style architecture
- Category: Victorian-style architecture in the United States
References
Source of the article : Wikipedia
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