The Empire style ( French pronunciation: Ã, [?. Pi :?] , Empire style ) is an early nineteenth-century design movement in architecture, furniture, other decorative arts, and visual arts, representing the second phase of Neoclassicism. It evolved between 1800 and 1815 during the Consulate and the period of the First French Empire, although its life span lasted until the late 1820s. From France spread to many Europe and the United States.
This style originated and took its name from the reign of Emperor Napoleon I in the First French Empire, when it was intended to idealize the leadership of Napoleon and the French state. This style corresponds to the Biedermeier-style milleu in German-speaking countries, Federal style in the United States, and District style in the UK. The previous style of en vogue in France is Louis XVI's style.
Video Empire style
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The style developed and elaborated the Directoire style of the earlier period, which aims for a simpler, yet still elegant revival of the virtues of the Ancient Roman Republic:
The staunch goodness of the Roman Republican is upheld as a standard not just for art but also for personal politics and morality. Conventionels see themselves as antique heroes. Children are named after Brutus, Solon and Lycurgus. The celebration of the Revolution was staged by David as an antique ritual. Even the seats on which the committee Copy of Publique sat were made with an antique model designed by David.... Even Neo-classicism becomes fashionable.
Empire Style "turned into the rosy luxury of Imperial Rome.The roughness of Doric is replaced by the wealth and splendor of Corinth."
Two French architects, Charles Percier and Pierre Fontaine, together with the creators of the French Empire style. Both had studied in Rome and in the 1790s became the leading furniture designers in Paris, where they received many commissions from Napoleon and other statesmen.
The architecture of the Empire style is based on elements of the Roman Empire and its many archaeological treasures, which have been rediscovered in the 18th century. Louis XVI and Directoire's previous styles used a more straightforward and simpler design than the Rococo style of the 18th century. The imperial design is strongly influenced by contemporary American Federal styles (such as the design of the United States Capitol building), and both are propaganda through architecture. It is the style of the people, not too flashy but sober and equally balanced. This style is considered to have "liberated" and "enlightened" architecture as Napoleon "liberates" the Europeans with his Napoleonic Code.
The Empire period was popularized by the inventive design of Percier and Fontaine, the architect of Napoleon for Malmaison. Interesting design for inspiration on the symbols and ornaments borrowed from the glorious ancient Greek and Roman kingdoms. Buildings usually have simple wooden frames and construction like boxes, coated with expensive mahogany imported from colonies. Biedermeier furniture also uses ebony details, initially due to financial constraints. Details of Ormolu (furniture and ornaments of bronze gilded) show a high level of skill.
General Bernadotte, who later became King Karl Johan of Sweden and Norway, introduced the style of Napoleon to Sweden, where he was known by his own name. Karl Johan's style remained popular in Scandinavia even when the Empire's style disappeared from other parts of Europe. France paid some of its debts to Sweden in ormolu bronze instead of money, leading to a fashion for crystal chandeliers with French bronzes and crystal from Sweden.
After Napoleon lost power, the Empire's style continued to take sides for decades, with little adaptation. There was a revival of style in the last half of the nineteenth century in France, again in the early 20th century, and again in the 1980s.
The most famous Empire-style structure in France is the large neoclassical Arc de Triomphe from the Place de l'ÃÆ' â € toile, the Arc de Triomphe du Carrousel, the Vendez columns, and La Madeleine, built in Paris to imitate the buildings of the Roman Empire. This style was also used extensively in the Russian Empire, where he used to celebrate victories over Napoleon in warning structures such as the General Staff Building, Kazan Cathedral, Alexander Column, and Narva Victory Gate. Stalinist architecture is sometimes referred to as Stalin's imperial style.
The defensive force in Italy was longer than in most of Europe, partly because of the association of the Roman Empire, partly because it was revived as a national architectural style following the unification of Italy in 1870. Mario Praz writes about this style as the Italian Empire. In Britain, Germany and the United States, the Empire's style is adapted to local conditions and gradually gained further expression as Egyptian Revival, Greek Revival, Biedermeier style, District style, and Federal-style.
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See also
- The American Empire Style
- Chariot clock
- Royal silhouette
- Federal architecture
- French Crown Court Clock
- The Indian Empire Style
- Lighthouse Clock
- Lyre arm
- Neoclassicism in France
- Neo-Grec, the ultimate Greek revival style architecture
- Fontainebleau Palace
- Second Empire (architecture)
- Stalin's Empire Style
Note
References
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Honor, Hugh (1977) [1968]. Neo-classicism . Style and Civilization (reprinted with revised ed.). London: Penguin Books. ISBN: 9780140137606. OCLCÃ, 36284165. Ã,
External links
- Media related to Empire architecture on Wikimedia Commons
- Media related to Empire silhouette on Wikimedia Commons
Source of the article : Wikipedia